This music was never released, since the film did not have a soundtrack album. Tony Banks and Mike Rutherford are known primarily as members of the band Genesis, which Rupert had various connections to throughout his career (Phil Collins in many different contexts for the most part). Music plays a visible role in the movie as one of the main characters plays organ for his church, and dabbles in synthesizer music and musique concrete at home. Sound in itself is an element of the film's subject; the lethal shout in contrast to the secular church organ, and juxtaposed with the nontraditional experiments of musique concrete, for which Rupert apparently created some primary synth and studio effects recordings. This is from 1979, folks, and the synthesizers the character used were ancient compared to today's units: the Putney, EML, and AMS Vocorder and Roland Space Echo processors. Those portions of the soundtrack are similarly arcane, but only serving the storyline.
The Shout - (Movie Soundtrack - 1979)
"Video Movie Guide" describes the film as follows:SHOUT, THE (1979) *** Enigmatic British chiller about awanderer's chilling effect on an unsuspecting couple.He possesses the ancient power to kill people by screaming.Well made, with an excellent cast. The film may be toooffbeat for some viewers. Rated R. 87 minutes. Director: Jerzy SkolimowskiCasting: Alan Bates, Susannah York, John Hurt, Robert Stephens, Tim Curry.Theme & Incidental Music: Anthony Banks and Michael RutherfordElectronics: Rupert Hine
The Shout - (Movie Soundtrack - 1979)
"Video Movie Guide" describes the film as follows:SHOUT, THE (1979) *** Enigmatic British chiller about awanderer's chilling effect on an unsuspecting couple.He possesses the ancient power to kill people by screaming.Well made, with an excellent cast. The film may be toooffbeat for some viewers. Rated R. 87 minutes. Director: Jerzy SkolimowskiCasting: Alan Bates, Susannah York, John Hurt, Robert Stephens, Tim Curry.Theme & Incidental Music: Anthony Banks and Michael RutherfordElectronics: Rupert Hine
This music was never released, since the film did not have a soundtrack album. Tony Banks and Mike Rutherford are known primarily as members of the band Genesis, which Rupert had various connections to throughout his career (Phil Collins in many different contexts for the most part). Music plays a visible role in the movie as one of the main characters plays organ for his church, and dabbles in synthesizer music and musique concrete at home. Sound in itself is an element of the film's subject; the lethal shout in contrast to the secular church organ, and juxtaposed with the nontraditional experiments of musique concrete, for which Rupert apparently created some primary synth and studio effects recordings. This is from 1979, folks, and the synthesizers the character used were ancient compared to today's units: the Putney, EML, and AMS Vocorder and Roland Space Echo processors. Those portions of the soundtrack are similarly arcane, but only serving the storyline.